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Grateful Dead Live at Carter-Finley Stadium on 1990-07-10


Topics Audience, Baker, Keo


Set 1

Jack Straw*, Loser, We Can Run But We Can't Hide, Me & My Uncle-> Big River, Friend Of The Devil*, When I Paint My Masterpiece*, Bird Song*, Promised Land**

Set 2

Iko Iko*, Playin' In The Band*-> Uncle John's Band*-> Playin' In The Band Jam-> Drums-> Jam-> The Other One-> Stella Blue, Not Fade Away, E: Brokedown Palace

* with Bruce Hornsby on accordion. ** Done in 2 parts, power goes out; Bruce Hornsby & the Range opened


Collection GratefulDead
Band/Artist Grateful Dead
Venue Carter-Finley Stadium
Location Raleigh, NC

Source Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taped by Baker
Transferred by Keo

Notes

* With Bruce Hornsby

** Patches From The Currier AKG source, Same Transfer Lineage **

Comments:Another Huge Thanks out to Mr. Baker for
recording and sharing his source for this show!The
recording is over all very bassy and a bit muddy
sounding most likely due to the microphones being
lower during the rain storm and location of the
tapers, gets progressively better through set 2.
The few cuts are patched and a bit miss matched
with sound quality from the two sources, still a
fine share from Mr. Baker's collection giving the
few sources which circulate for this date!!!!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!

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Matthew Vernon
on 6/29/2014
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312
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Source: Taper: M. Laurentus; Taper Section: Section H, Row 30, Seat 1; AT835B's -SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac
Grateful Dead
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Source: Source: Schoeps CMC4/MK41 > Oade P/S? > PCM(Master) > PCM (Clone1); Location: OTS first row 110 degrees; PCM
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Source: Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII-S 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24; Recorded from Taper Section 5, Row O, Seat 14 by Bob Morris
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Source: Source: 2 Sennheiser 421 microphones - up front/center> Sony TC-D5M - analog master cassettes;
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Source: AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Sony UCXS90 (1st set) & TDK MA90 (2nd set) with no Dolby. Set up last row of floor far right (stage left) side.
Grateful Dead
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Source: Master Audience Recorded By Mr. Darby; SennheiserMD421s+Nakamichi CM300/CP4s (PAS/DFC/2nd Row Of OTS/6 Feet High)> Sony MX 10>Sony TC-D5M, Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo
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Source: Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes
Grateful Dead
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Source: lineage: (2) nakamichi 300 cp4> d-5 mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Grateful Dead
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Source: Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/First Row Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Set 1 Maxell MX-s,Set 2 Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software